The blog - a nice way to collate my scatterbrained thoughts and share them. The man. - A handsome British lad from the west country. Full of hopes, dreams and delusions of grandeur. Studying Physics at UCL.
"Still Dirrty" by Christina Aguilera
"I’m gonna get by when the going gets rough,
I’m gonna love life ‘til I’m done growing up,
and when I go down Imma go down swinging,
my eyes still smiling and my heart still singing"
Chance The Rapper
Sunday, 17 August 2014

powerdrain:

sushinfood:

I went from “this is a frustrating waste of toothpaste” to silently staring, wide-eyed and slightly frightened.

image

asylum-art:

A Towering Figure Enclosed Within a Glass Greenhouse by Susanne Ussing
Susanne Ussing, ‘I Drivhuset’ (‘In the Greenhouse’), 1980. Ussing was a Danish artist and architect, with a special interest ceramics. This mixed-media piece brings together the world of sculpture and architecture by placing the former inside the latter. Classical parallels are easily conjured here. Like a latter-day (and feminine) Zeus at Olympia, this ginormous female figure is too large for the confines of the glasshouse, which looks like it might shatter were she to move too freely; like a Crouching Aphrodite of immodest proportions, she looks vulnerable and coquettish all at once. At the same time, her skin of newspapers and skeleton of metal and wood thoroughly modern - not quite distracting from the gracefulness of her pose, but instead under-girding her with firm foundations.


Susanne Ussing (1940-1998, Danish) - I Drivhuset installed at Ordrupgaardsamlingen (In the Glasshouse), Denmark, 1980. It is composed of granite and porous materials.

asylum-art:

A Towering Figure Enclosed Within a Glass Greenhouse by Susanne Ussing

Susanne Ussing, ‘I Drivhuset’ (‘In the Greenhouse’), 1980. Ussing was a Danish artist and architect, with a special interest ceramics. This mixed-media piece brings together the world of sculpture and architecture by placing the former inside the latter. Classical parallels are easily conjured here. Like a latter-day (and feminine) Zeus at Olympia, this ginormous female figure is too large for the confines of the glasshouse, which looks like it might shatter were she to move too freely; like a Crouching Aphrodite of immodest proportions, she looks vulnerable and coquettish all at once. At the same time, her skin of newspapers and skeleton of metal and wood thoroughly modern - not quite distracting from the gracefulness of her pose, but instead under-girding her with firm foundations.

Susanne Ussing (1940-1998, Danish) - I Drivhuset installed at Ordrupgaardsamlingen (In the Glasshouse), Denmark, 1980. It is composed of granite and porous materials.

Saturday, 16 August 2014
Friday, 15 August 2014
museumuesum:

Doug Aitken

last blast, 2008
neon lit lightbox, 82 x 110 1/2 x 11 inches

museumuesum:

Doug Aitken

last blast, 2008

neon lit lightbox, 82 x 110 1/2 x 11 inches

Thursday, 14 August 2014
the-dude-sisco:

If there is one picture i post on here that i really wish y’all would reblog the fuck out of, it’s this one.
PLEASE. It could save many people that are under the ridiculous police state going on right now in Ferguson Missouri. Those people need our help.

the-dude-sisco:

If there is one picture i post on here that i really wish y’all would reblog the fuck out of, it’s this one.

PLEASE. It could save many people that are under the ridiculous police state going on right now in Ferguson Missouri. Those people need our help.

 
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